
An early anatomical study revealing Degas’s fascination with capturing death and stillness before his famous ballet scenes. The unflinching observation of the animal’s collapsed form demonstrates his academic training in rendering weight and volume through economical mark-making.
| Artist | Edgar Degas |
|---|---|
| Year | Unknown |
| Category | Animals |
| Medium | Oil on canvas |
| Licence | CC0 Public Domain |
| Resolution | 1 600 × 764 px |
| Format | JPEG |
| File Size | ~0.6 MB |
No registration · No watermark · CC0 Public Domain
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